Some of us might feel that we have outgrown the need to have our best artists recognized abroad, yet it is still deeply satisfying when they are. It means we have produced something that transcends the local. The performances on this double album, in Holland's famous Bimhuis jazz venue, are by Australian musicians who have long passed beyond emulating American models. This makes the event specially satisfying. This is something of our own, part of an international tradition, yet different to anything else within that tradition. And it has been enthusiastically accepted by connoisseurs.
Patrons of the Bimhuis are definitely that. Furthermore, the liner notes of this release are in essence a deep, intelligent appreciation of McGann - alto saxophonist, composer and leader of this band - by a highly regarded international critic. McGann is one of our great originals. So indeed are trumpeter Warwick Alder, bassist Lloyd Swanton and drummer John Pochée, who walked out onto the stage with McGann on the exceptional night you will hear recorded on these two discs.
Something very special happened on this night. Rather than showing how correctly they could execute the niceties of this music, they all took the bit between their teeth and played with a fierce, free abandon. Three of McGann's compositions were heard, no doubt for the first time by almost all of the audience. There was also beautiful playing on the old ballad It's The Talk Of The Town, Dexter Gordon's Fried Bananas as a full-throated opener, and a recklessly driving performance of Johnny Hodges' The Jeep Is Jumping.
McGann is at his most terse and searing, but he also fans out in multi-noted patterns, creates gruff knots and lyrically unravels them. Pochée is at his most thunderous and polyrhythmic. Alder's trumpet rises bright and fiery over this storm and Swanton is as bouyant as a trampoline.
These discs have been held awaiting release since the band's European tour in 2004. Few in Australia even knew about them. They might have passed into legend, but here they are now, hot and jumping.
This is the first show of Art Pepper's first tour ever and he sounds like he's having a ball, playing with warm, fleet-fingered exuberance, which is infectious on the latin grooves and cookers. The ballads will break your frickin' heart though. This version of The Summer Knows is simply monumental. It's worth the price of admission by itself. I love how the rhythm section matches Art's intensity. Bernie Senensky is stellar and has a great rapport with Art. waylonfeedback
I saw most of these guys play in many different lineups many years ago but here all together they show such inventiveness and telepathy and swing.
Great stuff. auster boy south